Sunday, July 27, 2008

Leonard's Barbeque Onion Ring Batter


Recipe courtesy Dan Brown at Leonard's BBQ, Memphis,TN

2 tablespoons onion powder
2 tablespoons salt
1 tablespoon sugar
2 heaping tablespoons white self-rising corn meal
1 egg
5 cups 2 percent milk
8 cups plain all-purpose flour
1 1/2 cups water
1 1/2 teaspoons yellow food color
4 jumbo yellow onions
Vegetable oil, for frying

Using a large mixing bowl, mix all ingredients until no lumps remain. Use jumbo yellow onion rings and slice about 3/4-inch thick.
Coat the onion rings evenly in batter and deep fry at 350 degrees F in vegetable oil just until batter sticks to the rings. Remove the rings from the vegetable oil and drain well, then refrigerate the rings for 2 to 4 hours. You can keep refrigerated for 1 to 2 days loosely covered.

When ready to serve, drop the onion rings into 350 degrees F vegetable oil until golden brown.

Dairy Queen is the future


A great, productive weekend and I'm headed home late tomorrow. I can't wait to see the boys..anyhow catching up on my reading tonight I came across this in the NY Times last week. The world has finally caught up with my love for soft serve..


BRUCE HILL has tasted caviar and Château d’Yquem, but he still gets a thrill from the thought of a swirl of soft-serve ice cream.

I was about 6 and one of my first memories is of my first bite of a soft serve with a chocolate shell,” said Mr. Hill, owner of Pizzeria Picco in Larkspur, Calif., a destination for Bay Area pizza connoisseurs. “If you get your first lick before the shell completely hardens, you get the chocolate and vanilla melting in your mouth at the same time, and it was really special.”
Now Mr. Hill makes his own soft-serve ice cream at Picco, with a shell of chocolate from El Rey of Venezuela.

For Don Tillman, soft serve was a treat he couldn’t get enough of growing up in Hershey, Pa.
“When I was a kid, there was a Mister Softee which came pretty much every day, and I ran behind the truck,” Mr. Tillman said.
So at their ChikaLicious Dessert Club in the East Village, Mr. Tillman and his wife, Chika, have been making vanilla soft serve that they pair with a shot of espresso and crunchy Valrhona chocolate beans for a refreshing affogato. They also mix it with iced cappuccino and lattes, anoint triple-chocolate cupcakes with it, whip it up into a strawberry smoothie and use it to top a vanilla apple pudding cake. Beats whipped cream.

Young chefs around the country, with fond memories of Dairy Queen stands and Mister Softee trucks, are remaking soft-serve ice cream, with epicurean takes on traditional ingredients as well as some things never before seen spiraling out of an icy nozzle, like saffron, bourbon and jalapeño flavors.
At Sketch Ice Cream, a shop in Berkeley, Calif., boysenberry, balsamic Bing cherry, white peach and strawberry are the soft serves of choice this month; vanilla is always available.
They are all made from scratch with organic milk, sugar, pure vanilla extract and sea salt in small batches for freshness. One of the most popular versions is half granita and half soft serve. One offering: a creamsicle of white nectarine granita and jasmine tea soft serve.
“I grew up on Dairy Queen,” said Eric Shelton, who owns the shop with his wife, Ruthie Planas-Shelton, “and in some self-conscious way, maybe I’m going back to my childhood.”
Christina Tosi, the dessert chef at the Momofuku restaurants in New York, remembers soft serve as something “lowbrow” she got to eat only on summer vacations. But now, she said, “Eating soft serve has become what you do when you are in your Manolo Blahniks.”
On a recent night at Momofuku Noodle Bar in the East Village, where most customers carry out soft-serve cones covered in paper decorated with an American flag or biodegradable cups, Ms. Tosi had peanut butter and Cracker Jack flavors. She makes the latter by simmering popcorn in milk. She uses half the strained milk to make the soft serve and the rest to deglaze melted sugar to make caramel.
For soybean fanciers, Kyotofu, the dessert restaurant and bakery in Hell’s Kitchen, has introduced chocolate black soybean, green tea and white sesame soft serve, which sell for $3.85 for 5 ounces and $5.85 for 8 ounces, with topping. Whether you think they are as good as the cow’s milk version depends on how you feel about soy.
A co-owner, Michael Berl, said he has had the soft-serve machine since the restaurant opened in October 2006 but was too busy to develop the recipes.
“Basically we were using it as an expensive display piece, but finally got around to launching it this June,” he said. “Now it’s the most popular item in the restaurant, even more popular than tofu cheesecake. Our inspiration was from Japan, where they also have soy milk soft serve.”

Even the most ordinary soft serve is popular. When going out for an afternoon or evening snack, Americans are about twice as likely to have a soft-serve swirl than a scoop of the harder stuff, according to Harry Balzer, a vice president of the NPD group, a market research firm. (Until recently you couldn’t make soft serve at home.) While sales of hard ice cream have been fairly stable, according to NPD, soft-serve sales are growing.

The appeal of soft serve lies in part in a bit of science. Taste buds respond better when they’re not well chilled, so ice cream tastes creamier and richer when it’s not frozen solid. Hard ice cream is served at about 5 to 7 degrees, while soft serve comes out of the nozzle at 14 to 25 degrees.
At those warmer temperatures, soft serve needs less fat than regular ice cream to taste rich. Some premium ice creams are 17 percent fat, yet Picco’s soft serve is 10 percent fat, Sketch’s is 7 or 8 percent and Ms. Tosi said her Cracker Jack flavor is 11 percent fat.

Warmer temperatures also mean a drippier cone. Other than Mr. Shelton, all the soft-serve makers interviewed use some form of natural stabilizers, like carageenan, guar gum, lecithin, agar agar or invert sugar (equal parts glucose and fructose) to inhibit melting and thicken the mixture.
Either J. F. McCullough or Tom Carvel deserves credit as the first soft-serve maker. Mr. McCullough made soft serve in 1938 in Moline, Ill. One August day, he offered it at a friend’s ice cream shop in Kankakee, Ill., and 1,600 people paid 10 cents for all they could eat of his newfangled treat.
Two years later, Mr. McCullough and his son, Alex, teamed up with Harry Oltz, who had invented a machine that could produce a continuous flow of the frozen mixture. They opened the first Dairy Queen in 1940 in Joliet, Ill.
Mr. Carvel appears to have stumbled on soft serve about the same time. When his truck carrying ice cream broke down in Hartsdale, N.Y., he sold it from the truck over two days as it softened.

While these old-time brands might leave New Age soft-serve creators feeling nostalgic, some of them use ingredients that have less appeal. Along with milk and cream, sugar and corn syrup, you might find artificial flavors, emulsifiers and stabilizers, like mono- and diglycerides, polysorbate 80, and tetrasodium pyrophosphate.
(The commercial versions are cheaper, though — about $1.80 for three ounces, while the newest versions are as much as $5 for four ounces.)
“I don’t know what they are putting in it today but you can walk from the East Village to Central Park and it will maintain its form like a beehive hairdo,” said Mr. Tillman, who opened ChikaLicious Dessert Club five months ago, across the street from the ChikaLicious Dessert Bar. “It tastes like a bunch of oil sprayed over something white.”
For his soft serve, he said: “It was such a hassle to get vanilla back to the flavor of what I recalled as a child. A lot of trial and error, a lot of money thrown away. It took two months.”
At the Fort Greene branch of the Mexican restaurant Bonita in Brooklyn, hibiscus, tamarind and vanilla-bean soft serve have been on the menu for two months.
The chef, Juventino Avila, began to work on his own after he saw the chemicals in a soft-serve mix that came with a machine.
“I was very unhappy when I looked at the list of ingredients because I didn’t understand any of them,” he said. “Now we have come up with our own recipes and only use one chemical, a little lecithin as a stabilizer. We like to serve ice cream the way we serve our food, without chemicals.”
He’s working on a version flavored like horchata, the Mexican rice drink with cinnamon and cloves. The soft serve, which sells for $5 to $7 for about 8 ounces, is so popular, he said, that sometimes they run out.
Mr. Hill, at Picco, is using an unflavored organic frozen custard from Straus Family Creamery. (Frozen custard has eggs, while most soft serves don’t.) For chocolate, he adds Scharffen Berger cocoa to the base; vanilla uses vanilla beans. The toppings include gold, black and red raspberries, butterscotch caramel or extra virgin olive oil and sea salt.
His soft serve has become so popular that the original machine, which made about six portions before it had to be stopped to let the mixture re-freeze, has been replaced with one that can dispense 700 portions an hour.
“We sell close to $100,000 a year in soft serve, and our pizzeria has only 11 seats,” Mr. Hill said.
Anne Quatrano, an owner and a chef at Floataway Café and the store Star Provisions in Atlanta, was looking for a simple, nostalgic dessert and came up with what turned into a runaway best-seller, a vanilla soft serve that she says “tastes like fresh dairy.”
“It’s wildly successful,” she said, “because it’s kind of retro but it’s still all natural.”
At Floataway, at least half of the desserts ordered are soft serves, topped with extra virgin olive oil and Maldon sea salt, caramel with fleur de sel, bittersweet chocolate or seasonal fruit (at the moment peaches macerated in lemon juice and sugar).

One of the first of the new soft servers in New York was Shake Shack in Madison Square Park, which, like Picco, makes a frozen custard, with daily choices that include raspberry jalapeño, strawberry shortcake, coffee and doughnuts, and fig ricotta.
“Soft serve is a really a satisfying textural, tactile and visual experience,” Mr. Hill said. “Like instant gratification. We have a lot of people joking about lying down and having the soft serve dispense right into their mouths.”

Thursday, July 24, 2008

Don't Look Back



Don't Look Back
good night all! off to see Alli in the AM and work in Charlotte all weekend. HOME MONDAY!

Pink Flyod / 1967



Check out the psychedelic sounds of Syd Barrett-era Pink Floyd by listening to Early Singles and The Piper At The Gates Of Dawn. The one track that you must download most is Floyd's second single "See Emily Play" (b/w Scarecrow).

Released in 1967 at the Sound Techniques Studio in Chelsea, "See Emily Play" was a Barrett masterstroke-a cosmic fireball full of psychedelic flash points and kinetic energy. The track was included on the US The Piper At The Gates Of Dawn, but was left off the UK release in favor of "Astronomy Domine". ("See Emily Play" was originally called "Games for May")

It was during the sessions for “Emily” that David Gilmour has said, "I'll go on record as saying, that was when he changed." Gilmour was invited to the studio by Barrett but when he arrived, Syd had a different personality and didn't even recognize Gilmour. As many of you out there know, Barrett’s troubled acid visions drove him to severe mental illness and was kicked out of the band during Pink Floyd's second album A Saucerful of Secrets.

Side A: "See Emily Play"
Side B: "Scarecrow"

Tuesday, July 22, 2008

Maple Ancho-Glazed Salmon


Back in April, I came across Bobby Flay’s Mesa Grill recipe and loved the Honey-Ancho Chile Glazed Salmon. I wanted to reproduce the dish at home while making it at least partly “my own,” so I decided to make a few enhancements.

Maple Ancho-Glazed Salmon


1/3 cup pure maple syrup (darker is better)
1 Tbsp ancho chile powder
1 Tbsp dijon mustard
1/2 tsp smoked Spanish paprika
2 lbs salmon, cut into four 8-ounce fillets

1. Preheat your grill for direct grilling. If you’re cooking indoors, preheat your oven to 350 degrees and set a heavy, oven-proof saute pan or skillet over medium-high heat.

2. Season the salmon with salt and pepper.

3. To grill: Place the salmon over the coals/flame, seasoned side down, and cook until a nut-brown crust has formed, four to five minutes depending on your heat level. Turn the fish and baste the cooked side with the maple syrup mixture. Cook with the skin side down until cooked through to your desired level, three minutes for medium, five for well done.

To cook indoors: In about 1 Tbsp of vegetable or olive oil, sear the seasoned side for two and a half minutes. Flip and cook the skin side for two minutes. Baste and place in the oven until cooked to the desired level of doneness, around three minutes for medium and around six minutes for well done.

Also, if you decide to make his side sauces, you can cheat on the black bean sauce and use canned black beans, simmering them for about fifteen minutes with the aromatics. I’ve made the jalapeño crema by placing heavy cream and the roasted, seeded pepper in a cup and whizzing them with my stick blender. The blade’s action will partially whip the cream, creating a crème fraîche-like consistency for a significantly lower price

Monday, July 21, 2008

Bill Sienkiewicz's Art He Did For The DARK KNIGHT




I call this, BREAKFAST


Here is a fantastic recipe for Corned Beef Hash…perfect for brunch!

Corned Beef Hash

4 Servings
Time: 30 Mins

INGREDIENTS

HASH AND EGGS
1 lb medium red potatoes, skin on, cut into 1/4-inch dice
2 Tbsp unsalted butter
1 cup chopped onion
1 large red bell pepper, cut into 1/4-inch pieces
1 tsp chopped fresh tarragon
1 Tbsp chopped fresh parsley
1 Tbsp RED HOT & BLUE DRY RUB
1 lb cooked corned beef, sliced into thin strips
Kosher salt and fresh ground black pepper
8 large eggs

HASH AND EGGS
1 Preheat oven to 350°F.
2 Sauté potatoes in butter in a 12-inch nonstick skillet over moderately high heat, stirring, until lightly browned, about 3 mins.
3 Add onion, bell pepper, tarragon, parsley and RED HOT & BLUE DRY RUB, sauté over moderately high heat, stirring occasionally, about 3 mins.
4 Stir in corned beef. Add salt and pepper to taste and place into oven while preparing eggs.
5 In a separate nonstick skillet, prepare eggs to your desired doneness; sunny side up is recommended.

PRESENTATION
Remove hash from oven, distribute evenly on 4 plates, place two eggs atop each portion.

Wednesday, July 16, 2008

Outlaw Jerry McGill


In the mid‑seventies, when he was red‑hot, Waylon played Memphis, and his one‑time rhythm guitar player and road manager, Curtis Buck, a/k/a Jerry McGill, came to the show in drag. McGill, who had a Memphis rock and roll band in the fifties and recorded for Sun Records, was eluding prosecution for various federal crimes. He had developed a problem traveling with Waylon when they put the metal detectors in airports. But there had been times when McGill's guns—he normally carried three, counting the one in his girlfriend's purse—had come in handy, like the time the cop had McGill's boss under arrest at the Hyatt House on Sunset Boulevard, and McGill talked him out of it. It's a scene we'll save for the film version.

- Stanley Booth,
from Hands Up!
Gadfly, November 1998.

and then there's the film version...




In one scene, the camera follows (Randall) Lyon into Jim Dickinson's backhouse studio, where assorted people are sitting around ... Some of the musicians are jamming - Dickinson is playing an electric guitar, (Jim) Lancaster, is at the piano. McGill, his gaunt and tapered face resembling a cobra's, takes hold of an acoustic guitar and performs a song. When he's done, Lyon starts spouting a soliloquy, holding a bottle of champagne in his hand. The camera surveys the room, but his words are clear. "This is a dis-ass-trous period in our time. We got to respond to what's going ahn or else we got to hang it up with kinder-goddamn-garten." Dickinson accompanies with apocalyptic feedback from his guitar, and it all becomes too claustrophobic for McGill. The camera whips around at the sound of gunfire - McGill has drawn and fired his pistol. He smashes the bottle with the barrel and then puts the gun against Lyon's head. The voices that squealed when the bullets caught them off guard have suddenly stilled. The guitar continues, a soundtrack like the Wild West saloon player who knows it's best to never stop. The camera remains focused on the gun, the gun always, because whoever may say whatever, the subject in that room is the gun.

"I'm gonna whip you with this gun barrel," says McGill, whose eyes shine like B.B.'s. "Be nice, be real nice." Lyon is doubled over at the waist, his head, his life, in McGill's hands. Then McGill, he is no longer McGill, he is Pancho Villa, he is Jesse James, he is completely and totally Lash LaRue - turns to the camera, sees that it's pointed right at him (he's still holding the gun), and he says, for the camera's benefit, "I don't care nothing about that." He'll do it for the world to see! In an instant, the pistol is waved, smashing the bottle in Randall's hand, and following the instant, smashing the light. The guitar feedback stops with the sudden darkness and the scene, take one, the only take, is over.

-Robert Gordon
from It Came From Memphis,1995.

The above is a description of Jerry McGill's scene in William Eggleston's video-verite Stranded In Canton shot in and around Memphis and New Orleans in 1974 with a Sony Porta-Pak that was rigged to shoot in low light situations. It's a remarkable foray into early video by a great photographer. For years, it sat in a vault at MIT, until Eggleston and Gordon edited the thirty hours of footage into a film in 2005. When I saw a screening of it at Lincoln Center a few years ago, I asked Robert who the guy playing guitar with Dickinson was. His response, "Jerry McGill - the original Rock and Roll outlaw." Below is McGill's entire recorded output - a lone single on Sun from 1959. Billy Lee Riley is on lead guitar. These days McGill's whereabouts are unknown. He is rumored to be serving time in Florida for murder.




Lovestruck" mp3
by Jerry McGill and The Topcoats, 1959.
out of print




"I Wanna Make Sweet Love" mp3
by Jerry McGill and The Topcoats, 1959.
out of print

William Eggleston is the subject of a major retrospective coming to the Whitney Museum in November.

Standed In Canton will be available as a Book/DVD by Twin Palms Publishers this Fall.

Top photo: by Randall Lyon from It Came From Memphis by Robert Gordon.

The Howard Stern Show - Musical Memories

Howard Stern's long-running syndicated morning FM radio show aired for the last time on Friday, December 16, 2005. In January 2006, Howard and crew took up residence at Sirius Satellite Radio.

Howard's old FM show featured many great musical guests and performances over the years. An FM station that aired the Stern show, WIZN ("The Wizard") in Burlington, Vermont, played 45 previously taped Stern Show musical performances over four hours during the afternoon following the final 2005 broadcast. A friend recorded the WIZN "Musical Memories" tribute broadcast using a Sansui TU-9900 FM tuner directly to hard disc and then edited out the commercials and as much of the between-song DJ banter as possible. What is left are nearly three hours of classic performances in stellar FM sound quality, thanks in large part to the legendary Sansui super tuner.

The relaxed vibe of the Stern Show always seemed to bring out the best in musicians who were not used to waking up and performing so early in the morning!
Some of these tracks have circulated previously as substandard MP3 files sourced from a low-bit-rate Sirius Satellite Radio broadcast, but this FLAC file set, which has not circulated previously, is the genuine lossless FM high-fidelity article. Listen to James Taylor's guitar on "Woodstock" or Alanis Morissette's voice on "Ironic" for examples of the Sansui's incredible combination of analog musical warmth and detail, which somehow managed to survive largely intact despite the necessary evil of the FM > WAV > FLAC digitization process.

These tunes were either performed in Howard Stern's New York City FM studio or in front of live audiences at remote Stern Show broadcasts. The in-studio tunes include several great acoustic versions of electric favorites (e.g., "Pour Some Sugar On Me" by Def Leppard). There are also some outstanding cover tunes, including Kid Rock doing the Charlie Daniels classic, "Long Haired Country Boy" and Train performing a rocking Led Zeppelin medley. One Stern Show inside joke is Blues Traveler's version of "This Is Beetle." 'Beetle' is Stern Show "Wack Pack" member Lester "Beetlejuice" Green, who wrote the song spontaneously one day on the Show. NOTE: The WIZN broadcast also included Staind's version of "This Is Beetle." The Staind version, which was the seventh song of the broadcast, is omitted because it was released officially on a limited edition version of Staind's "Chapter V" album.

There are so many highlights in this set that it would be tough to pick a favorite. Aerosmith's raucous "Bacon Biscuit Blues" is hard to top, though, I must admit!
I do not know the dates these songs were performed / first aired. If anyone can shed some light on the performance dates, that would be great.

CD1 (59:09)
01 - "Dancing Days" (Stone Temple Pilots)
02 - "Bacon Biscuit Blues" (Aerosmith)
03 - "Kryptonite" (Three Doors Down)
04 - "Dream On" (Train)
05 - "December" (Collective Soul)
06 - "Learn to Fly" (Foo Fighters)
07 - "This Is Beetle" (Staind) [OMITTED due to offical release]
08 - "Woodstock" (James Taylor)
09 - "Good Riddance (Time of Your Life)" (Green Day)
10 - "Long Haired Country Boy" (Kid Rock)
11 - "Here Comes the Sun" (Bon Jovi)
12 - "I'm So Happy I Can't Stop Crying" (Sting)
13 - "Pour Some Sugar On Me" (Def Leppard)
14 - "Slither" (Velvet Revolver)
15 - "Runaround" (Blues Traveler)
16 - "Wanted Dead or Alive" (Bon Jovi)
17 - "Sixth Avenue Heartache" (The Wallflowers)

CD2 (54:36)
01 - "Slide" (Goo Goo Dolls)
02 - "A Long December" (Counting Crows)
03 - "Ironic" (Alanis Morissette)
04 - "Pink" (Aerosmith)
05 - "Beverly Hills" (Weezer)
06 - "It's Been Awhile" (Staind)
07 - "Jump" (David Lee Roth)
08 - "Revolution" (Stone Temple Pilots)
09 - "Shine" (Collective Soul)
10 - "Are You Gonna Go My Way" (Lenny Kravitz)
11 - "It's My Life" (Bon Jovi)
12 - "The Jack" (AC/DC with Artie Lange)
13 - "Another Brick in the Wall > Goodbye Cruel World" (Korn)

CD3 (57:28)
01 - "Jealous Again" (Black Crowes)
02 - "Ramble On" (Train)
03 - "Are You Gonna Be My Girl" (Jet)
04 - "Mr. Jones" (Counting Crows)
05 - "What Is and What Should Never Be > Whole Lotta Love > Ramble On" (Train)
06 - "Blowin' In The Wind" (Leslie West)
07 - "Help" (Bon Jovi)
08 - "Hash Pipe" (Weezer)
09 - "Desperado" (Joe Walsh)
10 - "Let Love Rule" (Lenny Kravitz)
11 - "The Reason" (Hoobastank)
12 - "Plush" (Stone Temple Pilots)
13 - "Meadows" (Joe Walsh)
14 - "Lifestyles Of the Rich And Famous" (Good Charlotte)
15 - "This Is Beetle" (Blues Traveler)

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