Monday, July 20, 2009
I have to admit that every drama that comes along on television, I compare to "The West Wing". I don't think I'm alone out there. If you haven’t watched the show, I can only say spend the pretty penny and get into the series now, or at the very least, fill up your Blockbuster / Netflix queue.
As far as the debate goes about which direction the show headed after Aaron Sorkin left following the 4th season, yeah a lot of the humor was traded for heavy drama, but don’t tell me you weren’t loving following the Santos campaign.
Of course, the one thing that kind of stunk following Sorkin’s departure was the flair for really good music to back comedic and dramatic moments. Sorkin’s always seemed to boast a good ear for a tune — it was “Studio 60 on the Sunset Strip” that introduced me to Corinne Bailey Rae and has forever implanted “Trouble Sleeping” deep in my mind.
With “The West Wing,” Sorkin had a good go-to guy in “Snuffy” Walden (who wrote the show’s majestic theme song) to provide proper musical accompaniment to tense or funny moments. But that didn’t mean he shied away from dipping into his own CD collection to make things just a bit more salient, either.
Usually I hate the use of pop music in television and movies (particularly the way people like Adam Sandler use's it in rehashing old 80's tunes in every one of his "romantic?comedies". Maybe that’s the same thing that Sorkin does, really… but I love Aaron Sorkin, so there.
Here I've compiled the best musical moments from “The West Wing.”
Dire Straits – Brothers in Arms
Song can be heard on: Season 2, Episode 22: “Two Cathedrals”
Song can be found on: Brothers in Arms
Poignant as all hell. Bartlet has just lost his faithful friend and secretary Delores Landingham in a car accident. He also just disclosed to the country that he’s suffered from multiple sclerosis for years, but never let the American people know while on campaign or in the White House. Staff is trying to perform damage control, but all the press wants to know is if he’s going to have the stones to try running for re-election. C.J. plants a doctor in the audience to try to get the first question to be a medical one and try to control the press conference. Bartlet brushes off the plant and takes the re-election question instead. And the second season ends. What you don’t get from this clip is a flashback from earlier in Bartlet’s life — where Landingham points out that whenever he puts his hands in his pockets and smirks, it means he’s made up his mind to do something. Mark Knopfler’s poor man Bob Dylan impression blends in perfectly.
Bartlet: “I’m sorry, Sandy, there was a bit of noise there. Could you repeat the question?”
Reporter: “Can you tell us right now if you’ll be seeking a second term?”
Leo: “Watch this.”
Jeff Buckley – Hallelujah
Song can be heard on: Season 3, Episode 22: “Posse Comitatus”
Song can be found on: Grace
Yes, I know, Buckley’s reading of Leonard Cohen’s “Hallelujah” has become a staple for almost every quasi-emotional season finale out there, and maybe it’s my preference for both Jeff and “The West Wing” that led me to include it in this list, but it’s hard to argue with the emotional weight the song adds to the scene. After learning that her stalker has been apprehended, C.J. realizes she can finally start seeing the special agent assigned to her, Simon Donovan, socially. C.J. has to join the President and staff to see a performance of the “The War of Roses,” and Donovan patiently waits outside, then drops buy a convenience store to buy her flowers. What he thinks is an unlucky twist of fate for a mugger ends up being an unlucky twist of fate for him as the mugger’s partner jumps out from hiding. C.J. is told the news, Shakespearean dialogue reverberates, Josh costs Amy her job and Bartlet is pressed to make a decision on whether or not to covertly kill a known terrorist. “Hallelujah” somehow makes beautiful sense.
Josh: “You can’t win the White House while the middle class thinks you disdain work and responsibility!”
Amy: “I would hope not. And I congratulate you for punishing poor women as a symbol of the strength of mainstream values!”
Ronny Jordan (feat. Dana Bryant) – The Jackal
Song can be heard on: Season 1, Episode 18: “Six Meetings Before Lunch”
Song can be found on: The Quiet Revolution
Perhaps one of the show’s most defining moments — to celebrate the confirmation of Mendoza as the Bartlet administration’s first appointment to the Supreme Court, C.J. breaks out an old lip-synching act she used to do on the campaign trail, much to the delight of the rest of the West Wing — particularly her male counterparts. The cut was originally pulled from Ronny Jordan’s 1993 album The Quiet Revolution, and apparently both Allison Janney and Richard Schiff used to lip-synch and air-guitar (respectively) to this song in Janney’s trailer. Sorkin popped in on them once during a performance and got such a kick out of it, he wrote it into the show. Millions were gratified.
Josh: “There’s a little speed bump with Jeff Breckenridge. Leo gave it to me ’cause he thinks you’re burned out on Mendoza. I told him I thought that was ridiculous. What do you think?”
Toby: “You’re talking to me during ‘The Jackal’?”
Josh: ”I was just –”
Toby: “Never talk to me during ‘The Jackal’!”